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The
Parish Choir
as of Easter, 2012 Jane Haman, Choir Director and Organist |
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| Soprano |
Alto |
Tenor |
Bass |
| Brooke Davanzati* |
Susan Hitchens | Chuck Haman |
David Galbraith |
| Deborah Howe |
Diana Povolotskaya* | Scott Mason | Kevin Harrington |
| Suzanne Petersen | Jesse Pringle | David Uhrig** | Thomas Krahn |
| Joyce Tracy | Jeff Simpson |
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| Mary Uhrig | *=section leader | **=cantor | |
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The St. Michael's and All Angels Choir, led by Jane Haman, sings at the 10:15 AM High Mass on most Sundays, at certain feast day masses, and on other selected occasions. (The choir goes on hiatus each summer.) Rehearsals are Thursdays at 7:00 PM and on Sunday mornings. We are always looking for new voices! Please contact the parish office (520-886-7292) or Jane Haman for more info. |
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Parishioners and guest musicians play a wide
variety of instruments on feast days or
at Sunday High Mass.
Guitar music is featured at the Family Mass and the Mision San Miguel Spanish Mass.
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The Æolian-Skinner Pipe Organ
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![]() 45-rank |
History
of the Æolian-Skinner Pipe Organ
Music is intimately bound with the
proclamation of the Word, an opportunity for us to
express through hymns, anthems and liturgy those
feelings that are often difficult to express with
words. The music of the Christian faith is meant to
deepen and enrich our worship experience. Music has
the ability to make us of one heart and voice, a
natural response of a living faith. Those who are
called to presenting music for worship have the
important task of leading worshippers toward greater
heights of inspiration and beauty, to the glory of
God. St. Michael’s has had a rich
musical tradition. The choir, with Organist and Choir
Master, Jane Haman, is committed to presenting music
of the highest caliber on Sundays and special Feast
days. Major works with orchestra are presented at
Michaelmas, Christmas Eve and Easter. |
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The organ has long been considered
the most effective musical resource for worship. Its
primary function is that of accompanying
congregational singing. A well-designed organ is an
effective accompaniment to the human voice. Its unique
timbre, even at full volume, will complement rather
than cover congregational singing. An organ should
also offer a variety of tone colors to give it the
flexibility needed for other liturgical uses, and for
use as a solo instrument.
Our completed instrument serves
the church's musical needs, and has the flexibility
for the playing of organ literature from all periods.
It can also be an outstanding recital organ and
community resource. |
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The Book of Pipes
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Participants
in
The Book of Pipes, from left to right: Clinton Hines,
Josephine LePoole, and Proscovia King![]() The Book of Pipes is a memorial and historical listing of loved ones, living and deceased, who have made a difference in our lives, our community, and the world. Your name, or a name of a loved one living or deceased, can be inscribed in the Book of Pipes. Please contact the parish office, 886-7292, for more information. Brochures are always available in the back of the church, or in the parish office at any time. Also to be published is The Stories Behind the Book of Pipes, telling the stories of all the people inscribed.
Proceeds from donations associated with recognition in the Book of Pipes help us to pay for the Æolian-Skinner Pipe Organ. |


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Organ Specification and Stop
List
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| Builder: Year: Opus: Original installation: New Location: Reinstalled/expanded: Case Builder: Date: Materials: Console type: Stop controls: Pedals type: Action Key: Stop: Temperament: Tuning (a'): No. stops: No. ranks: No. pipes: |
Aeolian-Skinner Co 1959 1352 Hyde Park Community Methodist, Cincinnati, OH 1998 Pipe Organ Artisans, Tucson, AZ Aeolian-Skinner Original Oak Detached Draw knob Radiating, concave Electro-Pneumatic Electro-Pneumatic Equal 440 66 64 3750 |
| Great Size 16' 8' 8' 8' 4' 4' 2' 1 1/3’ 8’ 4’ 16’ Swell Size 16’ 8' 8' 8' 4' 4' 2 2/3-1 3/5 2' 1’ 16' 8' 8' 4' 4’ 16’ Choir Size 8’ 8' 8' 8' 4’ 4' 2 2/3' 2' 2’ 1 3/5' 1 1/3’ 16’ 8' 8’ 8’ 4’ 4’ 16’ Antiphonal Size 8’ 8' 8' 8' 4' 2' 1 1/3’ 8' Pedal Size 32’ 32’ 16' 16' 16' 16' 16’ 8' 8' 8’ 8’ 8' 4' 4' 2 2/3’ 32’ 16' 16' 8' 4' 4' |
Type Quintaton Principal Wood Gedeckt Gemshorn Octave Chimney Flute Fifteenth IV-V Mixture Trompet Great/Great Great/Great Unison off Type Contra Violone Viola Pomposa Viola Celeste Rohrflote Principal Harmonic Flute Sesquialtera Octavin III-IV Scharff Contra Hautbois Trompette Hautbois Clarion Swell/Swell Swell/Swell Unison off Tremulant Type Diapason Cor de Nuit Flauto Dolce Flute Celeste Principal Koppelflote Nazard Super Octave Spitzflute Tierce IV Fourniture Chalumeau Trompette Rohr Schalmei Trompette Clarion& Choir/Choir Choir/Choir Unison off Tremulant Type Principal Viola* Viola Celeste* Flute* Octave Gemshorn IV Mixture Trumpet* *enclosed Type Untersatz Dolce Bass Contre Bass Bourdon Quintaton Flauto Dolce Violone Octave Bourdon Flauto Dolce Violone Quintaton Choral Bass Choral Flute II Rausch Quinte Contre Bombarde Bombarde Hautbois Trompette Clairon Rohrschalmei |
Pipes 61 61 61 61 61 61 61 306 61 Pipes 61 68 68 68 68 68 122 61 183 12 68 68 68 Pipes 61 61 61 61 61 61 244 61 61 61 244 61 61 61 -- 61 Pipes 61 61 61 61 61 61 244 61 Pipes -- -- 32 32 -- 12 -- 32 12 -- -- -- 12 12 64 -- 32 -- 12 12 -- |
Details Details Details Pd Details Details Electronic (1-24)+Pd Electronic (1-24)+Ch Gt Ch Sw Ch Sw Gt Electronic (1-12) Sw Ch |
| Accessories Couplers: 8’ 4’ 8’ 4’ 8’ 8’ 16 8’ 4’ 16’ 8’ 4’ 16’ 8’ 4’ 16’ 8’ 4’ 8’ 16’ 8’ 8’ Pistons: 15 8 8 8 Levels: Midi: |
Gt/Pd Gt/Pd Sw/Pd Sw/Pd Ch/Pd Ant/Pd Sw/Gt Sw/Gt Sw/Gt Ch/Gt Ch/Gt Ch/Gt Ant/Gt Ant/Gt Ant/Gt Sw/Ch Sw/Ch Sw/Ch Ant/Ch Ch/Sw Ch/Sw Ant/Sw Gt & Ch Rev General Great Swell Choir 99 Interface with record and playback |
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